John Barth, "Lost in the Funhouse"
He wishes he had never entered the funhouse. But he has. Then he wishes he were dead. But he's not. Therefore he will construct funhouses for others and be their secret operator - though he would rather be among the lovers for whom funhouses are designed.
14/06/2010
An Introduction to Postmodern Fiction
En route to Ocean City he sat in the back seat of the family car with his brother Peter, age fifteen, and Magda G----, age fourteen, a pretty girl, an exquisite young lady, who lived not far from them on B---- Street in the town of D-----, Maryland. Initials, blanks, or both were often substituted for proper names in nineteenth-century fiction to enhance the illusion of reality. It is as if the author felt it necessary to delete the names for reasons of tact or legal liability. Interestingly, as with other aspects of realism it is an illusion that is being enhanced, by purely artificial means. Is it likely, does it violate the principle of verisimilitude, that a thirteen-year-old boy could make such a sophisticated observation?
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